• About
  • Contact
  • Follow
  • Home
  • Cameras
  • Lenses
  • Accessories
  • Galleries
  • Basics
  • Sony Alpha
  • Sony Nex
  • Minolta AF
  • Minolta MF
  • A-Mount
  • E-Mount
  • Rokkor
  • Other
  • Flash
  • Software
  • Gear
  • Misc
Alphatracks is dedicated to Sony’s high-end cameras and lenses, as well as the wonderful SLRs made by Minolta.

If you are a Sony/Minolta shooter...or if you just love photography in general, you are bound to find something useful here. Enjoy!

« Older posts

Cowboy Studio Flash Triggers for the Sony Alpha

By Tom Bonner | Published: March 19, 2013

If you're new here, you may want to subscribe to my RSS feed. Thanks for visiting!

Sony Alpha with Wireless Radio Flash Trigger

After waiting for Sony to offer a radio wireless flash trigger for the auto lock style hot shoe, I found a Cowboy Studio trigger/receiver set up that works with the auto lock shoe.

I’ve been testing a set of Cowboy Studio Wireless Flash triggers on my Sony Alpha with the Minolta/Sony Auto-Lock hot shoe. I am fairly happy with these inexpensive radio triggers, especially since I don’t have to mess with a hot shoe adapter.

With the A99, NEX-6, A-58 and other new models, Sony has embraced the new Multi-interface hot-shoe design. This is essentially the same hot-shoe used by other manufacturers, meaning Sony Alpha owners can access numerous third-party accessories if they upgrade to the newest Alpha hardware.

Owners of older Sony Alpha designs, however, still have the less compatible auto-lock hot-shoe originally designed by Minolta. In addition to older, discontinued models, many of the current top sellers in the Sony catalog (A-77, NEX-7) still use the auto-lock shoe.

I’ve gone on record to say I prefer the auto-lock shoe because I think it is far superior to the slip-on multi-interface shoe. Still, there is no denying that the multi-interface design is much more compatible with third-party accessories. Going forward, Sony users will have many more choices available to them for flashes, radio triggers and other hot shoe accessories.

Which still leaves users of older hardware and those purchasing new cameras with the auto-lock shoe at a disadvantage. One of the biggest concerns is using radio triggers with the auto-lock shoe.

Cowboy Studio flash trigger installed on a Sony Alpha dSLR

Look ma, no adapters! The Cowboy Studio Model NPT-04S1 fits the Auto Lock hot-shoe used on older Sony Alpha models and all Minolta dSLRs. Reliability is good, at least at a distance of less than 35 feet.

Still No Sony Brand Radio Trigger

If you’ve been reading this blog for a while, you know I have questioned why Sony hadn’t introduced a Sony Alpha branded radio trigger set. With Sony’s vast experience in the radio communications area, this would seem to be a logical move. Several years later, I and the rest of the Sony Alpha world are still waiting.

I considered going with another solution like Pocket Wizards, but this would involve some form of adapter, and really didn’t want to start messing with hot-shoe adapters. It might work fine, but it seemed that the adapter would be just another link in the chain that could cause problems.

So I waited, watching while Sony experimented with translucent mirrors, mirrorless cameras and other innovations, but pointedly ignored the need for an Alpha radio flash trigger.

A few months ago, I was listing to Frederick Van Johnson’s round table podcast called This Week In Photography. TWIP is way too focused and Nikon and Canon for my taste, but all-in-all it offers an excellent look at current photography trends. The guest list changes weekly, and here have even been a few Sony shooters among them.

One of the recent guests was Derrick Story. While I have never met Mr. Story, I have been listening to his own podcast for years, and reading his articles in Macworld for much longer. I was surprised to hear Story recommend Cowboy Studio flash triggers. Everyone knows that cheap, Chinese flash triggers are a waste of money. But Story claimed the inexpensive Cowboy Studio flash triggers worked flawlessly for him. Hmmm.

A couple of weeks later, I listened to Story’s own Podcast, The Digital Story. Once again, Story praised the Cowboy Studio units as reliable, affordable and well-made flash triggers.

Boxed set of Cowboy Studio Wireless Flash Triggers

I ordered two sets of Cowboy Studio triggers. One is designed for the Sony Alpha Auto Lock Hot Shoe. The other fits the more common slip-on Multi Interface shoe.

Selling for less that $25 for a set, this seemed like it might be worth checking out. I figured I would still need an adapter, but for less than $25, what did I have to lose?

When I checked Amazon for Cowboy Studio units, I was excited to see a model designed for the Sony Alpha auto-lock shoe. No adapter needed. With Story’s recommendation, and the knowledge I wouldn’t need an adapter, I ordered a set.

Actually, I ordered two sets. The first is the NPT-04S1, which provides a transmitter for the Sony auto-lock hot shoe and a single receiver that accepts a auto-lock style flash.

Because I have a collection of older Minolta 4000AF flashes, which use the common slip-on flash foot, I also ordered the NPT-04 set. This gave me two receivers designed to accept the multi-interface flash foot. It also included a multi-interface trigger, which I have no real use for at this time. But Amazon had a sale going on and I got the NPT-04 set for less than the cost of a single receiver.

Despite Story’s recommendation, I didn’t know how well this would work, When the trigger sets arrived, however, I turned on the trigger, slid it into the flash shoe of my Sony Alpha, installed two AAA batteries into a receiver and attached one of my old 4000AF units. I touched the shutter button on the Alpha, and POP — there was light

I’ve tried these triggers on several assignments so far. Overall, I am pleased, but there are a few limitations.

Short Range Radio Triggers

My biggest gripe concerns range — or lack of it. According to the specs, the triggers are supposed to have range of 30 meters — roughly 90 feet. I am only seeing about half of that. When the trigger is less than 30 feet from the receiver, everything works fine. At 35 -45 feet, the reception is spotty. The flash only fires part of the time. Beyond 45 feet, forget about it.

This isn’t deal-breaker. At 30 feet or less, the Cowboy Studio triggers are perfectly reliable.

Cowboy Studio receiver with batteries

Receivers run on two AAA batteries. I am using NiMH rechargeable cells.

Although I doubt it will make much difference, I intend to test the triggers with different batteries. The trigger came bundled with a A23 cell. Batteries that are supplied with new electronic equipment are notorious for being old and weak, so I intend to replace the included cell with a fresh A23 battery to see if it makes a difference.

I may also try other cells in the receivers. The receiver uses two AAA batteries. I am using 800MA NiMH rechargeable batteries. NiMH cells usually work perfectly a replacement for alkaline batteries, but they only have a voltage of 1.2 instead of the the 1.5 voltage you get with alkaline batteries.

I doubt this will make a huge difference, but I will try some alkaline batteries to see if they improve the range.

Cowboy Studio Flash Triggers in foam padding

The Auto Lock Shoe Set (PT-04S1) contains one radio transmitter that fits the Sony Alpha auto lock shoe and a matching receiver for Sony style flash units.

Cannot wake Sleeping Flash Units

A second concern is using Sony and Minolta flash units with the system. These flashes are designed to conserve battery life by going dormant when the flash is unused for a time. Used on the hot shoe or with a sync cord, the camera is able to wake the flash from its battery-saving nap. The radio triggers don’t have that ability. If the flash goes dormant, the trigger cannot wake it. You have to physically turn it off and on again. Depending on circumstances, this can be a pain. Besides the nuisance of having to physically turn the flash on and off, it also resets the flash to full power. If I have the flash set to a lower power setting, I have to remember to adjust the level again. It is a little thing, but when you are engrossed in making a series of important shots it is one more detail to remember.

I haven’t tried the Cowboy Studio units with my Sony HLV-F42AM flash as yet. I have heard that you need to attach the flash to the camera first, then attach it to the receiver. Otherwise the flash will not be recognized by the receiver/transmitter.  If true, this sounds like a real pain. Anytime the flash goes dormant, you would have to mount the flash to the camera to get it working again. Fortunately, the Minolta AF4000 doesn’t require this step, but you do need to turn the flash off and on to wake it when it goes dormant.

Bottom of Cowboy Studio Auto Lock receiver

The bottom of the Cowboy Studio auto lock receiver displays the brass tripod socket. The hexagonal opening on the flange on the left is designed to accommodate a standard umbrella mount. Not all of the Cowboy Studio receivers feature an umbrella mount, this is the receiver included in the PT-04S1 kit.

No TTL Flash: These Triggers are Manual Flash Only

The Cowboy Studio triggers do not support TTL flash. I wasn’t too concerned about that, because my main flash is the 4000AF, which doesn’t support TTL flash with the Sony Alpha.

I quickly discovered there is a big difference using manual flash from a bracket on the camera, and firing your flash from a distance with a radio trigger.

Using the 4000AF with a sync cord at the camera, it is a simple matter to manually adjust power levels to suit the conditions. It only takes a second to adjust the power up or down if my LCD preview indicates the power is too high or too low.

When the flash is on a light pole some distance away, however, it is no trivial matter to adjust the flash. You have to leave your position, lower the flash and adjust the power level. If the flash is located in an inaccessible place, you may have no access to the flash until the event is over. In this situation, you have to live with the flash setting, even if the light levels at the scene change. Obviously, TTL flash would be a great option in this situation.

I was pleasantly surprised at the build quality of these units. I am accustomed to see poor quality control from inexpensive, off-brand electronics from overseas. That is not the case with the Cowboy studio flash triggers. It is true, the casing are plastic, and might be damaged in hard use. But what do you want for $25.00?

The seams in the receiver bodies line up well, the trigger foot clicked into the hot shoe perfectly and all the screws were in place and appeared to be tight.

One nice touch was the tripod attachment on the bottom of the triggers and receivers. Although the bodies are made of plastic, the attachment point is metal. This makes sense, but it is surprising how

Cowboy Studio flash triggers in box

The NPT-04 set will not fit the Auto Lock shoe that the majority of Sony Alpha dSLR and SLT cameras. The transceiver should work with the new Multi Interface shoe that Sony is using on newer cameras such as the A99 and NEX -6. I am using the receivers with my old Minolta 4000AF flash units.

many inexpensive photographic accessories attempt to get away with a plastic tripod socket. The metal attachment gives me confidence that the Cowboy Studio components were well engineered.

I plan on a more exhaustive test in the near future, I am sure I will have a lot more to say at that time, In the meantime, if you have always wanted to experiment with a radio flash trigger. I join Mr. Story in recommending the Cowboy Studio flashes — especially for Sony Alpha shooters with auto-lock shoes.

 

You can find Cowboy Studio radio flash triggers at Amazon.com.

Model: NPT-04S1 on Amazon

  • 1 Sony Alpha Auto Lock Hot Shoe Transmitter
  • 1 Sony Alpha Auto-Lock Hot Shoe Receiver. Includes umbrella mount

Works with Sony and Minolta dSLRs with the Minolta Auto-Lock hot shoe
Receiver accepts Sony and Minolta Flash Units with the Minolta Auto-Lock shoe

 Model: NPT-04 on Amazon

  • 1 Conventional Hot Shoe Transceiver
  • 2 Conventional Receivers

I haven’t tested these on a camera, but the transceiver should work with new Sony Alphas such as the A99, A58 and NEX-6.  Should fire any flash with the multi-interface hot shoe. They work well with my twenty year old Minolta 4000AF units.

Google+
Posted in Electronic Flash Accessories, Radio Trigger | Tagged Alphatracks, Auto Lock Hot Shoe, Cowboy Studio, Flash Trigger, Multi Interface Hot Shoe, Photography, Radio Trigger, Sony Alpha, Sony Alpha flash, Tom Bonner | Leave a comment

Hasselblad Lunar: Clear Sony Vindication

By Tom Bonner | Published: March 11, 2013
New Hasselblad Lunar in wood and carbon-fiber

The Hasselblad Lunar will be available in a wide-range of body materials. Hasselblad says the Lunar is the first of many MILC (mirrorless interchangeable lens cameras) the company will offer, and that it will use Sony NEX-7 components as well as E-Mount lenses. Persistant rumors suggest that a A-Mount Hasselblad SLT or dSLR may also be in the pipeline. photo: Hasselblad

Hasselblad has announced the Lunar, a new APS-C sensor camera, based squarely on the Sony NEX-7. I haven’t seen a published ship date, but Hasselblad has said the new Lunar will ship in the first quarter of 2013. The new camera will be available in a huge array of wood, leather, carbon-fiber and gold finishes, leading many observers to believe the esoteric camera company is choosing style and form over function. Hasselblad, of course denies these allegations, insisting that the new  high-end mirrorless camera is worthy of carrying Arvid Viktor Hasselblad’s name.

The Sony-Hasselblad Connection

There is a small, but vocal group that will insist that Sony isn’t a “real” camera company. According to their line of thinking, Sony is a big electronic company, which is playing in the photographic field to earn lots of cash. But they really have no experience with true photography.

It is all lies, of course.

In the first place, Sony acquired all of Minolta Camera Company’s photographic assets. Minolta didn’t always get the recognition the company deserved, but when you examine the extensive list of Minolta’s firsts, it becomes obvious Minolta was the most innovative camera company during the later decades of the last century. Read More »

Google+
Posted in Hasselblad Lunar | Tagged E-Mount, Hasselblad Lunar, High-End Mirrorless Camera, NEX-7, Photography, Sony Alpha, Tom Bonner | Leave a comment

Two 16GB Sony SDHC Memory Cards for $18

By Tom Bonner | Published: March 8, 2013
Sony 16GB SDHC Memory Carfds

Focus Camera is offering two 16GB Sony Class 10 SDHC Memory Cards for $17.95, including shipping. That will give you 32GB of memory for about $.0.56 per Gigabyte.

Need memory? Focus Camera, through Rakuten Shopping, is offering the 16GB Sony SDHC Class 10 two pack for $17.95. With free budget shipping, that is 32GB worth of SD storage: roughly 56 cents per Gig of memory.

Read More »

Google+
Posted in Memory Card | Tagged Memory Card, Online Deal, Photography, SDHC Memory, Sony memory Card | Leave a comment

A-mount Lenses: Sony offers three new 2013 models

By Tom Bonner | Published: March 8, 2013
New Sony 70-400mm A-mount lens

Sony upgraded the 2011era 70-400mm G lens with a new LSI drive circuit and quicker AF responsiveness. Sony also claims the new Nano AR coating on the SAL70400G2 lens is nearly five times more effective as conventional anti-reflection coatings. photo: Sony Global

New A-mount Lenses from Sony

In addition to announcing the Alpha A58 and the NEX-3N, Sony also announced three new A-mount lenses. Two of the new optics are eveolutions of current lenses, while one is a new Carl Zeiss Prime lens. Read More »

Google+
Posted in A-Mount, Lenses | Tagged A-mount, Alphatracks, Carl Zeiss Lens, digital camera, G-series Lens, lens, Photography, Sony Alpha, Sony Alpha dSLR, Tom Bonner | Leave a comment

Sony Alpha NEX-3N: Small gets Smaller

By Tom Bonner | Published: March 4, 2013
NEX-3N held in the palm of a hand.

Sony shrinks the NEX-3 to create an even smaller camera. The new NEX-3N claims the title as the smallest interchangeable lens camera with a APS-C sensor.image courtesy of Sony Global

Sony also chose this week to introduce a new mirrorless model: the new NEX-3N. Introduced alongside the Alpha A58, Sony claims the little 16mp camera is the smallest and lightest interchangeable-lens camera with an APS-C size sensor.

That might be spitting hairs, but when Sony first introduced the NEX, they were introduced as the worlds’ smallest interchangeable lens digital cameras. Other manufacturers have since offered even smaller cameras, but none of them can boast a true APS-C size sensor. Sony is justified in pointing out that the new little wonder boasts the same size sensor found in most dSLRs.

NEX-3N in available white body finish

The NEX-3N will be available in either white or black. The kit optics will be the 16-55 Power-Zoom E-mount lens. image courtesy of Sony Global

Since all NEX models have APS-C sensors, the new NEX-3N must be even smaller than the original NEX-3, to qualify as the smallest APS interchangable lens camea.

The return of the Power Zoom

Like the new A58, the NEX-3N features a power zoom, which allows users to zoom compatible lenses in-and-out via a push-button. I’ve never found this sort of thing to be all that interesting. Power zooms are usually slower and less precise than zooming manually. That being said, a small camera like the NEX-3N can easily be used with one hand. If you are shooting single-handed, while your other hand is occupied elsewhere, a motorized zoom might be rather handy. Read More »

Google+
Posted in Sony Alpha NEX series | Tagged E-Mount, E-Mount lens, Evil Camera, Mirrorless Camera, NEX Series, Nex-3, NEX-3N, Photography, Tom Bonner | Leave a comment

Sony Alpha A58: New Low-Cost 20 MP SLT

By Tom Bonner | Published: February 27, 2013
Sony Alpha A58

New 20mp A58 is the latest SLT from Sony. Image courtesy of Sony Global

Sony has just announced the Alpha A58, a low-cost, 20 megapixel SLT interchangeable lens camera. The new camera is a wonderful illustration of how far we have come in digital camera development.

In 2006, Sony introduced its first dSLR, the venerable Alpha A100. The A100 was a conventional dSLR with a flip-up mirror, based around the 6mp Minolta 5D, the last major camera design from Minolta.

The A100 garnered plenty of interest, principly because it was the first commercially available dSLR to offer a 10mp sensor in a camera that sold for under $1000.  Fast forward seven years and the photographic landscape is a drastically different place.

Alpha A58 List Price: $600 with Lens

Read More »

Google+
Posted in Sony DSLR, Uncategorized | Tagged A-mount, Alphatracks, APS-C Sensor, digital camera, EVF, Photography, SLT, Sony Alpha A58, Sony Alpha dSLR, Tom Bonner, Translucent Mirror, Video dSLR | 1 Response

Powerpax Storacell Caddies: Keep your Camera Bag Organized

By Tom Bonner | Published: January 28, 2013
PowerPax Storacell with Electronic Flash Unit

The Powerpax Storacell battery caddy has quickly become my favorite way to store and organize my batteries for electronic flash and other electronic photography items.

I have recently started using PowerPax Storacell battery caddies, and I really like them for camera bag battery storage.

A couple of years ago, I posted about the nylon cases that I used to transport the batteries for my flashes. I have been using those cases for several years, and while I like them quite a bit, there are a few drawbacks that made me wish for a better solution.

For one, I have eight of them (hey, I go through a lot of batteries) and I sometimes lose track of where they are. Even if I start a shoot with all the battery cases organized in one place, there have been times the cases would get shuffled arround and I would find myself rooting through my camera bags and pockets to find a set of fresh batteries,

Secondly, the nylon cases are opaque. so I couldn’t tell which batteries were inside which case. I use different batteries for different applications. If I need a particular battery for a certain piece of equipment, I would have to dig through the cases to find the correct cells.

I couldn’t even tell if there were any batteries in a chosen case. For my workflow, I keep charged cells in cases, and discharged cells in a pouch in my camera bag. If there is one of the nylon cases in my bag, I would have to pick it up and examine it to see if it contained any batteries.

This didn’t keep my up at night, of course. but it was annoying. I knew there had to be a better way. And when I discovered the PowerPax Storacell containers, I found it.

I confess, my first thought when I saw the Storacell system was that the batteries were too exposed. Water and/or dirt could contaminate the cells. Then I realized I would only use the Storacells in my camera bag. If I have water and dirt in my camera case I have more important things to worry about than batteries.

Storacell Caddy Advantages

Once I got past that concern, I immediately realized these cases were just what I was looking for. Although PowerPax makes different sizes and configurations, the twelve cell carrier is perfect for my needs. It stores twelve AA batteries together in one place. It is large enough that it won’t get lost in the bottom of my camera bag, yet small enough that it can be squirreled away so it doesn’t take up too much space.

More importantly, I can see all the batteries inside the Storacell. If I need a particular cell, I can find it quickly.

The cells can be inserted with the positive terminal up or down, and some people like to store charged batteries with the terminals pointing in one direction and then insert discharged cells in the other direction.

While that is nice feature, I prefer to keep fully charged cells in the Storacell and then put all the discharged cells into a pouch for charging later. In that way, jut a glance at the Storacell tells me how many charged batteries I have available, I don’t have to take extra time to count which terminals are pointing up or down.

Since I like to charge and use my flash batteries together in sets of 4, I use a Sharpie marker to label the cells from a particular set. That way, i can dump all the discharged cells together in a pouch, then charge them together as a set. The fully charged cells can then be placed into the Storacell for the next shoot.

Read More »

Google+
Posted in equipment, review | Tagged battery, battery storage, camera bag, organization, Photography, PowerPax Storacell | Leave a comment

BassBuds: Great Sound, but where’s the volume control?

By Tom Bonner | Published: December 21, 2012
A pair of BassBuds ear-buds

BassBuds in Platinum Gray. The premium ear-buds ship in more than twenty colors and offer great sound and style.

Recently the folks at BassBuds offered to send me set of their premium ear-buds for review.I know ear-buds aren’t exactly photography related, but I use my iPhone on photoshoots all the time, and I sometimes use ear-buds for sound editing on videos and slideshows. So I said, sure, why not?A few days later a nice box arrived covered in the BassBuds logo. I think they might be taking a page out of Apple’s playbook, because the packaging was elegant and inviting.

The ear-buds were carefully arranged inside the box, displayed exactly the way premium ear-buds should be. In addition to the buds themselves, there were a series of different sized molded tips in white and black. There was also a nice drawstring pouch emblazoned with the BassBud’s logo.

I received a set finished in platinum gray, one of the seeming endless colors offered by BassBuds.

Swarovski Crystal Bling in the Ear-pieces

I was slightly taken back by the crystal ornament in the end of each ear-piece. I’m not really a bling-type of guy, my tastes run more toward North Face and LL Bean instead of Tiffany. But I got past that quickly. Through a deal with Swarovski, the earpieces actually incorporate genuine Swarovski Crystals.

The BassBuds exude a quality look and feel. They are made from machined aluminum, not plastic, and the connector plug is gold-plated for superior connectivity.

High Quality Sound

The sound is amazing. I’m not an audiophile, so maybe I am not the best person to evaluate audio quality. That being said, listening to some of my favorite music, I heard notes and tones that I had never experienced before. I expected quality sound, but I didn’t expect my music to sound that good.

Even phone calls seem improved. I do some contract work inside a large conference room with several other programmers. Everybody uses ear-buds for phone conversations, because there is too much noise other-wards,

I found I could hear phone conversations better with the BassBuds and people on the other end seemed to hear me better a well.

Another nice feature is the Tangle Free cord design. All too often, the OEM ear-buds ended up in a tangled nest inside my pocket. The cords on the Bass Buds are stiffer and thicker to resist tangling. That doesn’t mean you cannot tangle them, but even if you wind up with a twisted pile of cords, the BassBuds seem easy to unscramble. Read More »

Google+
Posted in Hardware | Tagged Bass-Buds, ear-buds, music, smart phones | Leave a comment

Sony announces the Alpha A99: A-mount full-frame is back

By Tom Bonner | Published: October 18, 2012
Alpha A-99 front view

Sony Alpha A-99, displaying the beautiful full-frame 24mp sensor.

As expected, Sony announced the new Alpha A99 full-frame camera at Photokina in Germany. Unquestionably the best and most full-featured Sony Alpha yet, many have labeled the new machine as a “full-frame version of the Sony Alpha A77.”

While there are many worse things than being compared to great camera like the A77, the new full-frame Sony boasts a number of features beyond the size of the sensor.

Starting with the sensor, the A99 is equipped with a new Sony 24.3mp Exmor CMOS chip. While this is roughly the same pixel count as the A77, the larger sensor makes for larger pixels, which should result in superior noise reduction.

As far as the other features mentioned above, the A99 includes Sony’s all new..eh, old?…hot shoe design. While I think this is somewhat of a step backwards, it does mean the Sony A99 (as well as the brand new NEX 6 ) will be able to utilize more flash and flash accessories. Presumably this the future for all Sony dSLR/SLT cameras, so get used to it.

Read More »

Google+
Posted in Sony Alpha, Uncategorized | Tagged A-mount, A99, Alphatracks, digital camera, EVF, Photography, Sony Alpha, Sony Alpha dSLR, Tom Bonner, Translucent Mirror, Video dSLR | Leave a comment

Film is not Dead; it is alive on Flickr

By Tom Bonner | Published: May 16, 2012
Graffiti Wall - Area 15 - NODA

Graffiti Wall outside Area 15 for Bar Camp 7. Shot on Kodak Max 400 with a Minolta SR-T MC II and 58mm lens.

2012 is shaping up to be quite a year. There have been dozens of events commemorating the centennial of the sinking of the Titanic; and if you subscribe to the whole Mayan calendar hysteria (personally I don’t), there is the coming end of the world to look forward to.

On a more personal level, 2012 marks the first year in recent memory that I actually shot some 35mm film. That might not seem to be all that earth shattering, but considering that I used to expose hundreds of film rolls in a year, the fact that I actually shot some film after a long absence is a big deal.

I don’t really remember when I shot my last roll of film. Line many of you, I never actually packed my film SLRs away and declared “That’s it – I’m done with film.”

Instead, I started to incorporate digital cameras into my shooting assignments, although the film SLRs remained the real workhorses. Gradually, I started to shoot more digital images, and eventually I found myself hauling film SLRs along on shoots but never removing them from the bag.

Even after I stopped bringing my film cameras on assignments, I still carried rolls of 35mm and 120mm film in my gadget bag. I’m not sure what that means; without a film camera, film spools are useless, but I still shlepped them with me for a while.

Lunch at BarCamp 7

I had forgotten just how wide the Rokkor 16mm f/2.8 looks on a full frame SLR. Thanks to the fisheye view, the narrow passage between two buildings looks wide enough to drive a semi through!

Eventually, all the film stuff went into storage and I happily shot digital without looking back. My interest in returning to film comes from, of all places, the online photo sharing site Flickr.

There are Flickr groups for just about every form of photographic pursuit. I’m not sure if there are any groups for shooters using wet-plate glass negatives, but it would not surprise me if there were.

In my case, two groups caught my attention: “One Rokkor Around the World” and “A Roll in a Day.”

Read More »

Google+
Posted in Film Camera | Tagged film, film photography, iphone app, Minolta, pocket light meter, SR-T, SRT | Leave a comment
« Older posts

Subscribe Now!

  • Subscribe to Alphatracks by Email
  • Subscribe by RSS

Privacy policy

  • Pages

    • About Me: Tom Bonner
    • Contact
    • DSLR Photography Basics
      • Better flash photos? Move your flash off the hot shoe
      • Camera ISO: the foundation of every great image
      • Use Depth of Field to Improve Your Digital Photos
      • What is an EVIL Camera?
      • Your dSLR's Automatic Diaphragm: Understanding how it works
    • Interview with Matt Shaw of Speak Up Magazine
    • Privacy and Disclosure
    • Review: Sony Alpha HLV-F42AM Electronic Flash
    • Sony Alpha flagship: posts, rumors and speculation
    • Sony Alpha Wired and Infrared Remote Shutter Release Table
    • Sony and Minolta Lenses
    • Subscribe at no charge
    • The Alphatracks Visits series
  • Categories

    • A-Mount
    • A200
    • A230
    • A300
    • A330
    • A350
    • A380
    • A850
    • A900
    • Adobe
    • Aftermarket Lenses
    • Alphatracks Visits
    • Auto Focus SLR
    • Camera Mod
    • Digital Workflow
    • DSLR
    • E-Mount
    • Electronic Flash Accessories
    • equipment
    • Film Camera
    • Flash unit
    • Gallery
    • Hardware
    • Hasselblad Lunar
    • Lenses
    • Manual Focus SLR
    • Marketing
    • Maxxum 5D
    • Memory Card
    • Minolta
    • NEX-7
    • Nex3
    • Nex5
    • Photography
    • Radio Trigger
    • review
    • Rokkor Lenses
    • Rumors
    • Software
    • Sony A200
    • Sony A300
    • Sony A700
    • Sony A900
    • Sony Alpha
    • Sony Alpha NEX series
    • Sony DSLR
    • Tips & Tricks
    • Uncategorized
    • Vertical Grip
  • Archives

    • March 2013
    • February 2013
    • January 2013
    • December 2012
    • October 2012
    • May 2012
    • February 2012
    • January 2012
    • August 2011
    • March 2011
    • February 2011
    • January 2011
    • December 2010
    • November 2010
    • August 2010
    • June 2010
    • May 2010
    • April 2010
    • March 2010
    • February 2010
    • January 2010
    • December 2009
    • October 2009
    • September 2009
    • August 2009
    • June 2009
    • May 2009
    • March 2009
    • February 2009
    • January 2009
    • December 2008
    • November 2008
    • October 2008
    • June 2008
    • April 2008
    • March 2008
    • February 2008
    • January 2008
    • December 2007
    • November 2007
    • October 2007
    • September 2007
    • August 2007
    • July 2007
    • June 2007
    • March 2007
    • November 2006
    • August 2006
    • July 2006
    • June 2006
  • RSS Links

    • All posts
    • All comments
  • Meta

    • Log in
© Copyright 2006-2013 Tom Bonner. All rights reserved. Powered by WordPress. Built on the Thematic Theme Framework.